Tuesday, December 6, 2016

Tech Tip: Blog Profile

A fairly accurate pictorial representation of me on this blog.... (Look! There's even Devnagari script on that open book!)
Image from Monoar on Pixaby
As the semester is coming to a close, I was doing some clean-up work around here and needed to reflect on how I wanted my online identity to look (in regards to this blog) moving forward. The fact that this is linked to my Google Plus profile is a pretty big deal, as I'm usually pretty locked down on what I share of myself online. However, upon going through everything, I've decided on a few things:

  • I'm happy to leave my original self attached to this body of work. 
    • If it can help future students, great. If it's simply of interest to someone else, that's neat too. I know I certainly will be using it as a reference to look back on, since it's sort of a personal online library of all the (indian epic) things I need to know/remember/want access to quickly. 


I'm still brewing....
Image from BreakingPic on pexels
  • I have an understanding, and I hope the readers of this blog will too, that this is very much a development of myself, a work in progress. Er, I could phrase it like I'm a cup of tea that's still brewing... Cheesy, Cheesy.
    •  The majority of the content was interest driven, and as such, it isn't perfection. Regardless, I am confident that I would be happy to discuss the content of anything left on this blog with anyone that comes across it. So, if you're curious about something, just ask. 
Upon Reflection: 
    The act of thinking about how I want my blog and my personal identity viewed online from here on out caused some reflective processes to get started again. As a general rule, I don't share a whole lot online.... I did too much of that in my earlier life, and not that I regret anything that I shared, on the contrary, it felt like a very one-sided perspective of my world. Whatever I created to be put out there was what would be the image of my life, whether it was accurate, or skewed, or slightly left of truthful, etc. Now that I am a parent, I refuse to put my son's name online, so long as I can help it (and keep those in my life from helping it also). It's his story, his personal identity, and one day we can talk about how he wants to be viewed on the world wide web, but for now, I won't be creating his space online for him. 
     However, the creativity that this blog jump-started in me again was so much fun! It was an outlet that I forgot I actually enjoyed, a space to create, share, engage -- I forgot that the online community is just that too, a community! So, perhaps for me there are still worthwhile endeavors online for me to pursue that allow for that creative outlet I have recently been shutting out of my life. This was the perfect swift kick in the butt to remind me of the joy of creating and sharing in a community. In summary, I am actually comfortable leaving myself attached to this particular blog, as the content is something I truly enjoy and am wholeheartedly interested in. I'm even considering starting another blog: a bold new territory for me has begun -- the world of blogging!





Tuesday, November 29, 2016

Palace of Illusions Reading Notes - Part G & H


The Palace of Illusions
A Novel, by Chitra Banerjee Divakaruni
Image taken from Indian Epics Reading Guides
"Mythomania"
Did anyone see this article last week in The Economist about the craze among Indian readers (and writers) re-discovering the joys of Indian Mythology? Oh my gosh, what a timely read for me! In the article, it talks about Indian Readers finding their "Game of Thrones" type of books, and falling over themselves for them. The article mentions "The Palace of Illusions" by Divakaruni, which I am just now finishing, so it's a timely read. Especially for those of us finishing up the Indian Epics class! Also mentioned is that a 2-Part Disney Adaptation Movie is being made, drawing from the Mahabharata! What?! Yes! I am so excited to see this!
Here is a short list of the mythological novel-adaptations mentioned in the article (definitely adding these to my reading lists!):

  • "The Palace of Illusions" by Chitra Banerjee Divakaruni
  • Eight Volume Ramayan series that began with "Prince of Ayodhya" by Ashok Banker
  • Devdutt Pattanaik's "The Pregnant King"
  • Amish Tripathi, author of "The Shiva Trilogy"
  • Mr. Sanghi's "The Krishna Key"
  • Krishna Udayasankar's "Aryavarta Chronicles"

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Image of the Mahabharata depicting the Battle at Kurukshetra
from Wikipedia

Ok, So, I just kept listening and listening and listening to this book! It was so good! I didn't pause to take notes like I normally do, but a few things definitely stood out for me as I was finishing up the reading/listening of this novel.

  •  Wow. Just wow. Divakaruni's writing style is the epitome of everything that we've tried to achieve in this class with our own writing: get inspire by the original story, but expound upon it. Divakaruni tried to stay pretty close to reality with fleshing out characters and they're likely true feelings, and I was floored by how true she stayed in this sense. When she could have easily gone down a path of frivolity, or over indulging in emotions or a part of the tale that would have been easy to embellish too much, she held back, keeping the same tone throughout the book. In the final scene of the book, up on the mountain in the cold snow, I can only imagine that Divakaruni must have laid herself down on her floor, and felt all of the things that she wrote in Draupadi in that final moment. She must have layed there, who knows for how long, and thought about what she would think about if her final hours were on her. I really, truly got a sense of reality and a depth of thought and consideration for the character that I have never, ever gotten close to being able to capture in my own writing. It was truly inspiring. 



Part G
34 Secrets -- The grandfather is proving to be a problem. Yudishtir proves his righteousness still. The  Battle of Kurukshetra rages on.

  • FINALLY! WE FINALLY KNOW WHAT'S REALLY HAPPENING BETWEEN DRAUPADI AND KARNA!!!! Ok, sorry for all caps, but that was a long, and drawn out, and tantalizing wait to find out what really hid in the heart of Karna. And Draupadi can't even respond! Ugh! The wait continues. I absolutely adore Divakaruni here, for accurately portraying the internal struggles of women: Kunthi, Draupadi, righteous, duty, what women must do to adhere to social norms, despite the true emotions inside. 

35 Avanlanche 
36 Wheel 
37 Owl -- This was an odd little vignette. I'm not really sure I followed what it meant, but it was interesting... How did she dream and know what was happening? Now that I've finished the book, and know that Draupadi is divine too, I can re-interpret this scene differently, but at the time, it seemed weird to be placed here.
38 Pyre Whoah... Whoah whoah whoah. The scene where Draupadi gets on the temporary dais and speaks to the bereaved women is really moving. It's real. It's not pretentious, or lofty in the imagery of the scene, although I easily would have embellished this part, Divakaruni keeps true to Draupadi's character here.

Reading H
39 Ash 
40 Snake The raising of the grandson is really interesting here. I find it sweet that Draupadi, his grandmother, and him have a close relationship despite her harsh treatment of him when she notices his anger rising up.
41 Reed Noooooooooo. Not Krishna's end!!! Say it isn't so!!!!
42 Snow How does Divakaruni write so beautifully here? Why does Draupadi choose this place to let herself die? Why let yourself die? Why not go on until you absolutely cannot anymore. She acknowledges that she could have gotten back up and gone up to the road, but she chose this way, dying by freezing, as her way to meet her end. Why? It's a beautiful end to the story, and I accept it the way that it is, but this seem like a giving up at the end on the part of Draupadi, after a life of choosing the harder paths and sticking to her guns and pushing through any tough time.
43 Fire
"I am buoyant, and always was so. Only, I never knew it." And then she took Karna's hand, and they went to the only palace that they needed: air around and sky above. (YES! YES! THEY GET TOGETHER IN THE END!!!! This is what makes it a satisfying novel to me, a woman, in the end. Ha.)

Reflections On "The Palace Of Illusions"

  • I was repeatedly impressed at the full breadth of this novel. It included so many side stories that I didn't even know, or I remember exploring briefly during this semester, but had actually forgotten that this side story was attached to this character, that side story attached to that one. It must have taken long planning hours and lots of mapping out of each character to really weave the type of tale that she has made here.  She so deftly placed these extra little anecdotal scenes into the story that it seemed normal for us to get a little more history here, or there. It was seriously impressive and inspiring. How much time did she spend preparing for each chapter? Mapping out the book? Planning how in depth she wanted to go with each character? Repeatedly she references back to the familial history of the characters (thankfully, for me) so that we can more fully understand the perspective that each one is taking in their actions? 
  • Overall, I really appreciated the feminist perspective that she took. I think it was brilliant to approach it from this angle. I was initially drawn in because I was curious: what would it have been like to be the wife to five husbands? How exhausting! is all that I could imagine. It definitely was a worthwhile endeavor to explore, but in the end, Divakaruni takes us even further than that. She takes us down the path of a woman's life, following it to completeness, to the very end. I suppose that's what good authors do, they fully flesh out characters and let us live those characters' lives through their writing. It certainly leaves me questioning my own ability to tell a story or spin a tale, or write, for that matter, but on that note, it leaves me with a one final thought: I've got a long way to go, and a lot of practice to do, to try and achieve that kind of level of writing. Bravo, Divakaruni. 
Chitra Banerjee Divakaruni lives in Houston with her husband, and two sons. 
Image via Wikipedia

Tuesday, November 15, 2016

Palace of Illusions Reading Notes Part A

The Palace of Illusions
a novel, by Chitra Banerjee Divakaruni
published 2008
Image from Indian Epics Reading Guides


  • Krishna had an attempt on his life when his nurse-maid tried to poison him through her breast milk. Of course, he survived. 
  • He has nicknamed Draupadi Krishnaa, which is the female name of Krishna, but also the one whose attraction cannot be resisted
  • I loved her grandmother character here (Dhai)! So good! I want to use her to expand on this story in so many different ways.
  • The feminist viewpoint/perspective here is so captivating. Divakaruni is doing a great job of reminding us of the origination of her inspiration for the story, the Mahabharata, while also fleshing out Draupadi to make her a real person, with a life story, wants, desires, insecurities, and a wondering about where her life will take her. 
Krishna and all of his women that he has seduced,
including, possibly, soon to be Draupadi as well
Image: 18th Century Indian painting via Wikipedia

I started listening to this book on AudioBook, but I wanted to have a better feel for the layout of the book, and how long it would take me. I'm actually really grateful that I looked this book up online, because there is a wonderful introduction that Divakaruni wrote that isn't mentioned in the AudioBook version at all. Divakaruni does an inspirational job at explaining why she wanted to write a story from the perspective that she did, and how she couldn't put away that nagging feeling of "If I ever write a book about this, I'm going to write it this way....." Very much like an Author's Note that we do at the end of our stories as well. 
Reading A
1 Fire
2 Blue
3 Milk
  • Milk! Oh my gosh, Milk! Almost made me cry! A little boy hears from his friends how creamy, sweet, and delicious milk is, but his family is poor. He comes home and asks his mother to get milk for him also, so that he can know what milk tastes like. They're too poor to afford it, to she mixes some flour, water, and a hint of jaggery to it. The boy drinks it, is delighted that now he, too, knows what milk tastes like, and the mother begins crying. The pure, blind trust the boy has in his mother is beautiful, but it's the fact that she had to stoop to deceiving him that is heart breaking for the mother, and also nearly broke my own heart. I love this little vignette. 
4 Cosmology  -- This chapter is like a lovely review of the entire class so far -- all of the research, extra time exploring the intracacies of the Hindu gods are paying off here -- I'm able to sit back and enjoy the review. It's so good!
5 Smoke --- oooooooh, foreboding is being set up here! Yes! I love this! We later find out that this mysterious Sadhu-Ji is Vyasa. 

Brahma Dreaming Reading Notes

Brahma Dreaming
by John Jackson
Illustrated by Daniela Jaglenka Terrazzini
Published 2013
Image from Indian Epics Reading Guides

I *love* this book! This is a delightful collection of stories from Hindu Mythology with illustrations, pen and ink style, that are just breathtaking! I was originally planning on listening to this in Audiobook format, but on a whim, decided to see if I could track it down in the library. I am so glad that I did! The illustrations are captivating, and I have found myself pausing to dwell on just those alone, contemplating everything that is written about that particular illustration. I've actually been spending quite a bit of time with this book, I just haven't gotten around to writing up some Reading Notes about it, so these notes are going to serve as a sort of Re-Read for me -- but that's ok, because this book is totally worth it!


Reading A:
Tales of Creation: In the beginning, there was only the sound of Aum. It became power, and had form, and had 3 faces: Brahma (Creator), Vishnu the Preserver and Shiva the Destroyer.Then there were 7 wise men, and they were the beginning of humanity.
  •  Brahma Dreamt the World. "It is the beginning of the first world," he said. And time began.
The Beginning
The Curse
The Milk Ocean: My favorite, favorite, favorite story I've come across in this whole semester. I could write so many offshoot stories about the milk ocean, what comes out of it, how it gets churned. 
  • Things that have come out of the Milk Ocean's Churning:
    • The Moon
    • A thousand beautiful girls, who became the stars
    • A White Horse
    • Lakshmi
    • A Mist of blue poison
    • A gold bowl filled with ambrosia, carried by an old man, who was the 1st physician ----- this is really unique and interesting, and I've love to do a mash up of this idea with the old man who is the keymaker/keyholder from the Matrix movie

The Lie Kadru, the mother of all snakes, lies to her sister about the color of a flying horse's tail. She coerces her black snake children to latch onto the horse's tail, so she can win the bet, and her sister will become her slave. Tsk, Tsk, Tsk. 
The Sons of King Sagara
  • Down into the depths of the Earth, past: Nagaloka (snake home in the underworld), past the buffalo demon Mehisha, past the palace of V'ritra, King of Demons, past the graves, past the goblins (Pisachas) that eat the flesh of the dead, finally between the legs of the giant elephants holding the earth on their backs, and into the vaulted cavern holding the cauldron Kapila. 
    • Interesting that in their creation stories, the middle of the earth is fire and hot lava, which is pretty accurate
  • This is fleshing out the story of Ansuman praying to Ganga to come down and quench the ashes of his uncles to carry them back to life or to the afterlife. 
Matsya Avatar
The fish, the flood, and Manu
Wikimedia Commons

The Fish: Manu, the fist man, has pity on a fish and saves him by placing him in a jar of water. The fish grows, and grows, and grows, and finally outgrows the ocean. Moral of the story is have compassion, but not too much compassion, for there is an order to the world that is to be obeyed. 
  • So, So, So interesting that this is similar to the story of the Great Flood, where a ship is built, and he has to watch all the earth be swallowed by water. The fish carries him to land and safety. 
  • Manu came to make the beginning of the SECOND World this way

Sunday, November 13, 2016

Twenty Two Goblins by Somadeva Reading Notes Parts A and B

Goblin
  from Warhammer
Twenty Two Goblins
by Somadeva
translated by Arthur W Ryder
published in 1917
it is a translation of the Vetāla-pañca-viṃśati, 
a Sanskrit Classic
Available for FREE online from Project Gutenberg
and in AudioBook format through Librivox


A goblin is hanging in a tree, taking over a dead man's body. A good king is sent by a man desiring to become the King of the Fairies by retrieving the magical powers out of the goblin. The king is indebted to this man, because for many years, the man has been bringing him an offering of desirable jewels concealed inside of a piece of fruit everyday. The king asks him what he can do for him, and the man asks him to retrieve the goblin. 

The goblin tells tales to King every time that he is removed from the tree, and questions the King at the end of each tale. The King must answer honestly if he knows the answer, or his head will burst into a hundred different pieces. For 22 different stories, the King answers the goblin's tales, but on the final time, the goblin warns the king what the man who sent the King to him is really after. 

Reading Part A:

First Goblin: Well, these names are interesting. King Triple Victory, Ear-Lotus, Bite. I like that if the King doesn't answer, then his head will fly into a million pieces. I can't believe this how this whole thing got started though, and it's hard to believe a king would leave his duties to go and capture a goblin, but here we go.

Second Goblin: "Great-minded people do not waver until they have kept their promises, even at the cost of life." This is going to be a long journey with the goblin frequently escaping, I can see. 

Third Goblin: Usually women are bad, while only a few bad men occur here or there. Hummpppfff. I take offense to this. When was this story told, again? 12th century?

Reading Part B:

Fourth Goblin: "What good is life to me without my children?" And the father tried to cut off his own head, when suddenly a voice came out of nowhere, telling him to stop! I've been seeing this theme throughout a lot of old stories, lately. 

Sixth Goblin: The girl who transposed the head and the body of her husband and her brother. Ummmmm, interesting! What's going to happen here?! The king decides the head of the husband is to be her husband, for that's how we recognize people. True, it's how they think, and who really wants to kiss their brother? 

Seventh Goblin: The Mutual Services of King Fierce-Lion and Prince Good. I'm really loving these names here. This is actually one of my favorite stories: Ocean, sinking ship, dive in after the flag pole, sink down in the Ocean, discover a hidden city, and a beautiful maiden under the sea. **I really like the idea that the pool connects the two worlds. This is really similar to one of my favorite childhood books about a princess that goes between worlds through the decorative pond in her court, but I can never remember the name of that book.
                                               ~
Vetala Panchavimshati (Sanskritवेतालपञ्चविंशति, or Baital Pachisi is a collection of tales and legends from India, and was originally written in Sanskrit. "One of its oldest recension's is found in the 12th Book of the Kathasaritsagara ("Ocean of the Streams of Story"), a work in Sanskrit compiled in the 11th century by Somadeva, but based on yet older materials, now lost. This recension comprises in fact twenty four tales, the frame narrative itself being the twenty fifth." (From the Wikipedia Page Vetala Panchavimshati.

I read the text by Somadeva written sometime in the 11th Century in Sanskrit (I read the translated to English version, of course!), of which other stories related to this are presumably lost. Arthur W Ryder translated the text into English. Although, conflicting information shows that Arthur W Ryder used Dandin's version of the text, which was written in the 7th-8th Century. 
                                               ~

Scholarship is less than sense

Therefore seek intelligence.

— an epigram Ryder translated
 from the Panchatantra and quoted often.


Arthur W Ryder
Time Magazine described Ryder as "The greatest Sanskrit Student of his Day." He preferred to translate and publish works that interested and delighted him, rather than scholarly articles. He graduated from Harvard, and got his Dr. of Philosophy from the U of Berlin and the U of Leipzig, taught at Harvard and eventually landed at the University of California, Berkeley (one of my all-time favorite schools). 


Portfolio Guide

Portfolio


Hello, Hello! My stories collected below are themed around famous visionaries or poets from India. 
~~~~


Discover what happens when a dream propels an unlikely artsy creative-type to go off on a solitary journey...


Don't Kill Him!
This is the story of a pre-teen whose own father tries to kill him! In this dystopian future, does his father succeed?


Image information: 
Top: Circles In A Circle, by Wassily Kandinsky.
1st Story Image: Chilkoot's Trail from wikipedia

Second Story Image: "Sillhouette of Trees During Night" photo by Unsplash via Pexels. 

Don't Kill Him!

Sillhouette of Trees During Night
 by Unsplash via Pexels

Omar looked at the boy. His boy.

He had to shake that thought since he couldn't keep referring to him as his boy anymore. Not with the decision was forced to make. There would need to be action now, the community demanded that Kabir's life be ended.

The boy was watching television, the dim glow lighting up his face, and he was enjoying the show. Omar smiled softly at him. Life shouldn't have to be this complicated, should it? When did society come to this, that termination of a life was required simply because one thing about a person displeased a few in the community? It was like walking on egg-shells these days, careful not to offend anyone in any way: don't forget to smile while holding the door open for the neighbor lady, be sure to tip 35% or risk whispers you're dissenting from societal norms, mail out your Christmas cards the day after Thanksgiving, don't forget to include a picture of the smiling family, with the dog's lips cleverly pulled back into a smile also, careful to use fishing line to help the dog grin, a trick that everyone knew at this point, but must be conformed to regardless of the fact that everyone was in on the joke. Keeping up with the Joneses', isn't that what it was called back when Omar was a kid? Now it was a suffocating, stiff, inflexible lifestyle required by society in order to maintain your home within the city. He supposed he could become a hermit, living in the woods like those who refused to conform, but he wasn't outdoorsy enough for that. He and his boy... No Stop that Omar -- you must stop saying that... you and the boy would starve to death in the first few weeks if you could even track down water after the first few days. Sigh.

I've got to take him to the woods, I suppose, and leave him there. He'll probably die, but maybe not. At least I'm not killing him outright, thought Omar as he continued mulling over his options. The sacrificial lamb, the one that is required by the higher-ups to appease the masses. Kabir, his boy... no Omar, remember: the boy... had made a lot of people uncomfortable lately. Making people uncomfortable was no longer tolerated in today's society, and so finally the straw that had broken the camel's back had come: Kabir had sought out a guru. A guru. "We're Muslims!" thought Omar loudly, clicking his tongue without even realizing he was doing it, so that Kabir turned from the television to look at him. Omar gave an uneasy smile, then a small shrug, and Kabir turned back to watching his show.

The trouble had started because we are Muslims, in fact, continued Omar in his own thoughts. When we found Kabir inside of an abandoned home in our neighborhood, days after we had gotten back from our honeymoon, we couldn't believe it. Who would leave a helpless little child in here? Omar's wife Noha couldn't stand the thought, and so they took him home. People had accused them of hiding a premarital pregnancy, but they didn't care. Noha had been radiant on her wedding day, and anyone that said that she could have been eight months pregnant was lying to themselves! But still, people accused them of having a baby too soon after marriage. Although it certainly started everything, the real problem came when they took the child to the mosque to seek a name for him, as was custom. The local imam consulted the holy texts, and then distraught, said he would get back to the couple. That was strange. After their imam had consulted a few other imams, mild discontent began to spread throughout their community. The name the holy texts kept presenting was Kabir, a name of God. "We can't name this child such a sacred name of God, for a child to be called the Incomparably Great!" All of the imams together had told them. "Well, what are we supposed to name him? We're keeping him, so give us a name."  retorted Noha and Omar. Everyone grumbled, but obligingly, they had let them name him Kabir.

Now, however, Kabir was twelve, and seeking religious instruction. Except, he wasn't seeking instruction from the imams in the religious classes, no, he was following around a guru in the early morning hours, repeating after him, "Hari Ram, Hari Ram, Hari Ram." Ram was definitely not one of the names for the God of Islam. Worse, Kabir was writing songs, and encouraging people that the god of Hinduism and the god of Islam were all the same thing. This kid had practically torn a rift through the community the size of the Thar desert in Rajasthan.

Omar had loaded Kabir up into their family Subaru and told him he wanted to show him a bit of nature's beauty: the moon was supposed to be really big tonight. They got to a secluded spot, parked the car, and walked a little ways into the forest. Kabir had complete trust in Omar, for Omar was his father who had raised him, and now no fear whatsoever was resonating through him. Omar told him to sit down, and wait, and then Omar began to walk away. But as he turned, essentially sacrificing his only son, his oldest, his cell phone began to ring. Bizarrre, there shouldn't be any reception out here.... Kabir cocked his head sideways, thinking the same thought as Omar. How is this possible? Omar answered the phone, out of habit, worried it was a work call. "Kabir is a child of God, and he is destined for greatness! Return with him to your home, continue to raise him as your own and all will be well for you and your family!" boomed the voice through the phone. Omar laughed at the voice, shocked at what he had just heard, but it confirmed his deep-seated belief that disrupting the current status quo of societal rigidity couldn't actually harm them too much, could it? No, he'd let Kabir rock the boat and see what would come. Omar would protect him, if he could. He told Kabir to get up, look at the moon, and then they calmly walked back to the car together.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Author's Note: Kabir was an Indian mystic, poet and saint who lived around 1400 AD (speculations place him around 14th-15th Century). One of legends surrounding Kabir sugges that he was discovered as a child abandoned near a body of water by a couple that was returning home from their honeymoon (some say he was born of a lotus leaf). The couple risked a ruined reputation, knowing people would think they had conceived before marriage, but they didn't care: here was a perfect little child, abandoned and left to die, so they decided to raise him as their own, in the Muslim faith. The story about his name coming from the holy texts was controversial because it was one of the names of God from Islam: Immeasurably Great. The story suggests that this is an unacceptable name for a child, perhaps because he was 'born' into this middle-caste family. Kabir was renowned for seeking out a Hindu Guru (which is another legend that historians have doubts about), Swami Ramananda in Varanasi, and composing songs and poems urging his followers to follow God, which was the same God, whether you found him through Hinduism, Islam, Sikhism or any other form of religion. Some critics say that he encouraged his followers to abandon traditional religion and seek only the path of righteousness.


I was intrigued that he was found near a body of water, almost in a nest of reeds -- this seemed strikingly similar to the Christian imagery about Moses. However, Moses (Musa) is the most frequently mentioned character in the Koran, and the stories do overlap between the two religions, so it's interesting that a more 'modern day' figure like Kabir would have a similar personal history likened to that of an Old Testament figure. Moses, like Kabir, is destined by God to become great. This also reminds me that Abraham is asked to sacrifice his first born son, Isaac, to God, as a test of his faith. Kabir's father was going to sacrifice Kabir, leaving him in the forest to die, when a voice "came out of the wilderness" telling him that Kabir was a child of god, and he was destined for greatness. Kabir's father decided to keep him and continued to raise Kabir, who did become a prolific religious teacher and leader through his holy songs, poems and bhajans. I wanted to modernize the tale, and hoped that I was able to do so, while still retaining some of the more mysterious historical events of Kabir's childhood.
Kabir, memorialized on an Indian Postage Stamp, 1952
Image from Wikipedia

*********************************************************************************
More Info on Kabir 
  • Kabir was famous for writing Kabir's Bijak, and Rabindranath Tagore of the 21st century translated 100 Poems of Kabir into English, which was published in 1915.
  • My Reading Notes from the Amar Chitra Katha comic book about Kabir from the Visionary Series can be found here. The Volume on Kabir is vol # 623, and can be checked out from The Bizzel Library on OU's campus.
  • A brief overview of Kabir's life can be found on Wikipedia.