Showing posts with label Week 10. Show all posts
Showing posts with label Week 10. Show all posts

Sunday, November 13, 2016

Portfolio Guide

Portfolio


Hello, Hello! My stories collected below are themed around famous visionaries or poets from India. 
~~~~


Discover what happens when a dream propels an unlikely artsy creative-type to go off on a solitary journey...


Don't Kill Him!
This is the story of a pre-teen whose own father tries to kill him! In this dystopian future, does his father succeed?


Image information: 
Top: Circles In A Circle, by Wassily Kandinsky.
1st Story Image: Chilkoot's Trail from wikipedia

Second Story Image: "Sillhouette of Trees During Night" photo by Unsplash via Pexels. 

Saturday, October 29, 2016

7 Secrets From Hindu Calendar Art: Brahma's Secret (Chapter 7, Part F) Reading Notes: EXTRA READING

7 Secrets From Hindu Calendar Art
by Devdutt Pattanaik
Chapter 7 -- Brahma's Secret 
(Video Part 1 of 2)
Via Video Book on YouTube

~
I'm finally finishing Devdutt Pattanaik's book, 7 Secrets From Hindu Calendar Art!!! After 6 long weeks! It has been so, so, so informative! This new "book medium," YouTube Video! (called "Video Book" format) is free and accessible on YouTube. The chapters have been broken down into chunks, and while quite dense, this chapter has two shorter videos instead.

I cannot stress how informative, useful, and helpful this book (Via Video Book!) has been for me. Each video is chocked full of information, but as I am nearing the end, everything is tying back to the earlier chapters quite well. I can definitely say that the first 1 to 2 chapters were a little overwhelming with information, and they took time to digest. However, now that I am finished!!!, I can actually sense that I have an understanding, a solid base, for Hinduism and what I am seeing when calendar art images are portrayed in the video before me. I truly, truly cannot recommend this book (video series by Epified) enough! 
~
Brahma's Secret (Part 1):
  • Human Life is an opportunity
  • Why is the Creator not given the same status as the Preserver, or the Destroyer?
  • "When the word 'creator' is uttered, we take the Bible as the reference point and assume that since God is the creator there, it must be so in the Hindu world as well. But in the Hindu world, creation happens for a reason, and Brahma forgets that reason, which is why he is declared unworthy of worship."
  • "Brahma created the world to understand who he was. The world was a woman, his creation, hence his daughter." 
  • Brahma is unworthy of worship, and Shiva is everything that Brahma is not. 
  • "The purpose of life is to realize the ego and overpower it — either destroy it as Shiva does or be detached from it as Vishnu is."
Hinduism + Astrology + Geomancy
  • "Karma is manifested through nine celestial bodies, the Nava-Grahas, who rule time." [DP then discusses the Vedic art of Jyotish-shastra, the science of light, or astrology.]

    "Using gems and certain chants and rituals, one can increase or decrease the influence of a particular Graha in our life. Thus we can influence the future. It is not just fate; there is free will."
Vastu Parusha pinned down
by Oracle 125

  • "Vastu Purusha was a demon who tried to rise from the earth and block the sky. The various gods pinned him down. Each god is ruler of the point where he still holds down the demon. [North is Kubera, South is Yama, East is Indra, West is Varuna, North-East is Soma, South-West is Surya, North-West is Vayu, South-East is Agni.]

7 Secrets From Hindu Calendar Art
by Devdutt Pattanaik
Chapter 7 -- Brahma's Secret 
(Video Part 2 of 2)
Via Video Book on YouTube

Brahma's Secret (Part 2): Human Life Is An Opportunity
  • Nagas vs Yakshas (metals and gems), Yakshas reside in the north near himalayas
  • Santoshi-maa-vrat: specifically a type of worship performed by women for maternity, end of calamity 
  • "Seeking a boon and a blessing from a god, a God, a goddess, or a Goddess is considered a good thing, and the best way to overturn the vagaries of fate."
  • Tragedies are signposts pointing us to find the purpose of life: of truly finding ourselves, the purpose which existed before Brahma sprouted many heads, the purpose of truly finding oneself, which Brahma forgot
  • Hanuman: "Hanuman is called Sankat-mocham, the remover of problems. He is worshipped by people in the hope that he will destroy the problems in their lives the way he solved all of Ram's problems."
"If a monkey can become God, so can man. Thus, there is still hope for Brahma, the unworshipped God."

Thursday, October 27, 2016

Story: Let this be the end.....

Barefoot


Soordas' fame was growing. He was gathering moderately large crowds around him now, and he had even been given an ektara (stringed instrument) to help create music for Lord Krishna. The crowds swelled when he began his morning songs for the day, sometimes even beginning to form before he was ready to start the day's Bhajans, or holy songs, that he crafted lovingly as the words and stanzas that formed into harmonious melodies drifted out of his mouth. He had taken to this artistic lifestyle quickly and easily, as if nothing else in the world was arranged so perfectly for him.

Today, though, the crowds who came to watch and sometimes participate in his artistry would be a problem. It was time to move. The dream had been clear: Lord Krishna was instructing him to go away from his camp and onto the untrodden paths. He had taken refuge and commenced his daily work under this tree, far away from his family home, for long enough. He had acquired moderate fame for his devotion to Lord Krishna, that he displayed twice daily when he poetically crafted and sang his holy songs. The fame was not what Soordas sought, however. He had two aims: to sing the most beautiful song to Krishna that Krishna had ever heard, and to be granted an audience with Krishna. And last night, finally and unusually, Krishna came to him in a clear, bright, and was he remembering correctly.... damp dream? He couldn't shake that feeling of sogginess that overwhelmed him in the dream.

He readied himself to move, rising from his sleep in the third watch of the night, alongside the morning birds who began their earliest callings. He gathered his two belongings, his one copper bowl that he used for drinking, eating, and bathing with, and his ektara, his instrument that helped him sing his devotion. He rose, and slowly, slowly, began to make his way out and away from the tree. Back straight, head up, feet shuffling, he started out to find the path where no one else would be. 

After stubbing his toes quite a few times, many scrapes on his arms from low-hanging and wayward branches, and a few days' worth of accumulated sunburn, Soordas had finally made his way into a forest. He felt a path beneath his feet and the cool shade of the trees had been a welcome relief. After two days journeying into the forest, he could feel himself getting parched. The Krishna devotees had not discovered him yet, to his satisfaction, but he missed them now, as usually he could ask them for a bowl of water to quench his thirst. No help would find him here, in this lonely and deserted forest. He had been careful to sing very quietly as he walked, so that no villagers working in the fields would hear his songs and abandon their work to join him in praise of Lord Krishna. No, he had managed to solitarily escape away from humanity, with their distractions, and awkward noises, and questions, and gasps when a particular line of a song was too beautiful. Despite the hunger and the thirst, Soordas was glad, for he could focus on his adorations to Krishna without any hindrances in his way. 

He shuffled forward, contemplating the dream Krishna had granted him, confident that he would find his Lord soon enough. The dream had been vivid, bright, and full of light. Perhaps he would find the location on the other side of this dark, heavily shaded forest. Suddenly, he stubbed his toe... no, his whole foot! He had jammed his whole right foot into something very hard, vertical, and quite stone-like. Soordas lurched forward, his momentum thrown off. He had expected to find the ground soon enough, his hands outstretched before him, but instead, he kept tumbling, tumbling, tumbling down.... splash! The blind bard had managed to fall right into the depths of the well, the fool! Alone, in a deserted forest with no passersby to hear him, he would surely die in here. The blindness he had been born with would be the very thing that brought him directly to the end of his life, what a disgrace, he thought. After everything he had overcome despite this failure his physical form brought him, alas, his lack of sight would be the ultimate failure to him. It would bring him death before he could meet his Lord Krishna. The dream had been clear: Krishna would come to him in a bright place, not in the darkness. 

So he began to sing, welcoming Krishna to take him to his next life as speedily as Krishna could. If not Krishna, then Yama. Let the god of death bring him a swift end, for he did not want to contemplate how long he might be in this dreadful well. No, it was better to focus his last devotional songs on Krishna, thought Soordas. At least he might attain one of his life's aims, to sing the most beautiful song to Krishna that Krishna had ever heard. And so he sang, and he sang, and he sang. Day and night and day and night and day and night for seven long days, wondering when his body would fail him and he could pass from this life onto the next. But this was not to be Soordas' end...

~

Author's Note: Soordas was a blind bard who achieved lots of fame in India, as an almost saint-like figure, for crafting holy songs to Lord Krishna in the 15th Century. His name means "Servant of the Melody" or "Slave of Song," and he is said to have written a hundred thousand songs of devotion. Especially famous is his magnum opus, the 'Sur Sagar' or 'Ocean of Melody.'  His devotion to Krishna was renowned particularly because he was blind. A few miracles surround the story of his life, one of which was only briefly mentioned in the Amar Chitra Katha comic book Soordas: The Blind Bard where I read about him. He fell into a well, early in his career of devotional singing to Krishna, and a week later Krishna rescued him out of the well. He continued singing and creating his devotional songs, seeking to again find Krishna any way that he could. I wanted to surprise the reader with the fact that Soordas was actually blind, so I tried to keep it hidden while highlighting other sensory inputs throughout the story. I also found it interesting that Krishna implored him to move away from the safety of where he had set up camp under a tree and to go seek him in untrodden areas... Wouldn't that be difficult for a blind person all alone without any aide? I attempted to allude to that question with my story as well. 

The Reading Notes I created for this ACK (volume 613) on Soordas can be found here

Tuesday, October 11, 2016

Reading Notes: Soordas The Blind Bard, an Amar Chitra Katha vol613

Soordas The Blind Bard
Amar Chitra Katha volume # 613
Image from DiscoverBooks

Today, I read an Amar Chitra Katha comic book. Have you heard of Amar Chitra Katha? I hadn't either, but they are incredibly famous in India, and generations have now been able to enjoy them. There are more than 400 titles, in more than 20 different languages, that retell stories from the great Indian epics, mythology, history, folklore, and fables in comic book format. It was originally created by Anant Pai, beginning in 1967.

Soordas:
  • "Born 1478 A.D. to a poor Saraswat Brahman couple of Sihi Village, near Delhi."
  • Born blind, everyone forgot his real name and began to call him "Soor" (Soor meaning blind)
  • As a child, his parents and the world were cruel to him, and did not understand him. 
  • His Brahman father taught his brothers Shlokas, verses in Sanskrit, and having heard a passing group singing Bhajans, Soordas went to his father and asked him to teach him Shlokas too. He did not.
  • So, Soordas followed the same group singing Bhajans that passed by the next day. He followed them to the lake, they abandoned him in the morning. But, Soordas remained and sang devotional songs and ate whatever was offered to him by the villagers. He learnt from the Sadhus and the pilgrims on their way to Mathura and Vrindavan. 
  • Deprived of one of his 5 senses, he was gifted with a 6th sense, and became a famous Diviner.
  • Soordas divined where Zamindar's lost son would be located, so he came and honored Soordas and built him  a hut. 
  • An ektara (musical one-stringed instrument) and vessels were given to Soordas, and disciples began to stay with him and serve him. 
  • Soordas had a dream of Krishna with many disciples singing devotional songs. So, Soordas left to go wander the woods with his ektara and sing praise to Krishna. "Jai Gopal! Jai Jai Gopal!"
  • He kept stopping and singing Bhajans and gathering large crowds, but each time he had to leave them to excape the world, finding unused paths. 
  • He fell into a well, and a week later Krishna came to rescue him out of the well. 
  • In his quest to find Krishna again, he stayed in Gow-Ghat near Mathura. Here he composed hundreds of Bhajans, acquired many disciples and his fame as the Singing Mahatma (Great Soul) spread far and wide. 
  • Eventually, the greatest scholar-saint of all time, Vallabha Acharya met with Soordas, the poet-saint. Vallabha Acharya corrected Soordas from singing degenerating songs to Krishna to singing only of Krishna's life. Because Soordas was unlearned, Vallabha Acharya taught him all about Krishna so that Soordas might sing about him. He initiated Soordas as his disciple.
  • "Shri Krishnah Sharanam Mama" - I take refuge in Krishna. Vallabha Acharya appointed Soordas as the chief singer in Shreenathji's Temple in Govardhan. 
    • When Soordas sang of Krishna, the devotees could actually see Krishna in front of their faces, it was so vivid and lifelike. 
    • His brothers visited him at the temple, and Soordas embraced them warmly as they apologized for not recognizing his greatness and perhaps causing him to leave home. Soordas would not leave the temple to go visit his parents, however, saying that all mankind was his family.
    • His brothers soon realized that his Bhajans were on everyone's lips, and all mankind was indeed his family. 
  • Even Tansen, the famous singer at the court of Akbar began to sing the songs of Soordas. 
  • Akbar came to visit Soordas because Soordas would not sing outside the Temple of Krishna. Soordas composed a new song for him, and Akbar tried to give him some lands. Soordas would not accept them, and Akbar called him 'Indeed, he is a great Fakir.' (Fakir, derived from Arabic فكير means self-sufficient one who only possesses the desire/need for god. Also, poverty.)
  • Once, When Soordas was at Mathura, Tulsidas came to seek his guidance.  The two departed from each other after a few days, and requested that each other sing of their god: '
    • Tulsi, sing of Krishna!' 'Of course, but Soordas, sing of my Rama!'
  • Soordas stayed in the Temple of Shreenath, yet his songs sung in Brij Boli (dialect of Hindi spoken in and around Mathura) became so popular that they were sung from Rajasthan and Punjab to Assam. 
Page 22-23 of Soordas The Blind Bard, Amar Chitra Katha vol613
Personal Photo, October 2016.

I could write about when he fell into the well and Krishna came to save him out of it. I could also write about his songs being on the lips of all of the peasants.

As far as including a piece of golden jewelry, he is quite poor and lives only on what is given to him. I will have to have a piece of jewelry gifted to him, probably around the time that his hut is built, by the Zamindar. Or I could have Vallabha Acharya gift it to him, since he taught him all about Krishna's life, and as Soordas' Guru, he would probably accept the gift from him. 

Reading Notes: Rabindranath Tagore, Amar Chitra Katha vol548

Rabindranath Tagore
India's Gentle Torch-Bearer

Amar Chitra Katha vol 548
Image from Indian Epics ACK Guides
Today, I read an Amar Chitra Katha comic book. Have you heard of Amar Chitra Katha? I hadn't either, but they are incredibly famous in India, and generations have now been able to enjoy them. There are more than 400 titles, in more than 20 different languages, that retell stories from the great Indian epics, mythology, history, folklore, and fables in comic book format. It was originally created by Anant Pai, beginning in 1967.

Rabindranath Tagore: India's Gentle Torch-Bearer
  • Born May 7, 1861 at Jorasanko Mansion in Calcutta. The 2nd youngest child of Maharishi Debendranath Tagore. His father was rarely home.
  • His parents were away or busy, so many different people took over as caretakers to occupy little Rabi. 
  • A cousin took Rabi and taught his to write poetry. Rabi was barely 8 years old when he wrote his first poem. 
  • Rabi was a sensitive, imaginative boy who often missed school to spend time in nature. His parents arranged for a local uncle-type to come to the house every evening to teach the boys English.
  • The house of the Tagores was a virtual university: a meeting ground for poets, scholars, musicians and men of science and philosophy.
  • When Rabi was twelve, his father returned home from a long pilgrimage in the Himalayas. He had the boys dressed in the sacred thread, shaved heads and gold rings in their ears. The boys went for a 3 day retreat: they were taught to chant in correct accents, relevant sections from the Upanishads, and were taught to meditate.
    • Rabi was serious regarding meditation and was often moved to tears of bliss at the end of a session.
  • Around this time, his father invited him to journey with him to the Himalayas
  • At 17 years old, Rabindranath went to England for higher studies, but returned after 17 months. He now began to devote much of his time to writing and acting. "Valmiki Pratibha" was a musical play that was produced during this time period.  
    • 4 months after the wedding, Rabi's beloved sister-in-law, Kadambari Devi, died. The songs he composed in the months that followed this were intense with feeling. 
  • 1890 -- "Let us walk from Calcutta to Peshawar. It will enrich our store of experience."
    • Rabi's father heard of this and wanted to provide Rabi with a chance to travel, but wanted it to be combined with business.
      • Rabi settled at Shilaidha in Kushthia, in the very lap of nature, to take over running of the place for his father. His family estates were scattered and entailed a good deal of traveling by boat. 
    • During this time period, Rabi soaked in all of the songs and tunes of the rural, local people: rowers, sowers, peasants. "It is only unsophisticated music like this that millions can appreciate. It throbs with the joy of life."
    • "Though he did write a great deal during this period, his proximity to the illiterate peasant folk turned his mind to other spheres. 'I feel for my countrymen, when will they get rid of their superstitions and fears? When will they know a better life?'"
  • Shanti Niketan: Rabi built and Ashram to educate boys and teachers on the model of an Ashram in natural surroundings, Rabi even taught there. "Children are born with a natural curiosity, which, if properly encouraged, makes the learning experience a pleasure."
    • He wanted to make learning a pleasure, but the response was poor.
    • His liberal views antagonised the Brahma Samajists. "He has too much sympathy with Orthodox Hindu views" "He is a Brahmo! Our children will not study in the school of a Brahmo!" His school is neither recognized by Calcutta University nor by the Government. What good is an education that won't help our children get jobs?
  • 1902-1907 Rabindranath's wife, father, daughter Renuka and son Samindra died. Holy crap!
  • 1905: Bengal was partitioned by the British on communal lines. There were a lot of protests. He gave a speech to inspire students all of the country "Down with British Imperialism!"
    • During this time, he wrote the National Anthem of Bangladesh (My Golden Bengal, I Love You)
  • He was a staunch supporter of Widow Remarriage, and in 1910 he married his son to a widow, Pratima Devi. 
  • His many works won him admirers from abroad. Rothenstein, the famous English Painter, suggested that his translate his "Gitanjali" into english. W.B. Yeats praised the translation.

    • He was awarded the Nobel Prize for Literature for Gitanjali from Sweden. He was the first Asian to receive the prize. The funds from the prize were enough to continue funding Shanti Niketan.
    • The King knighted him in Calcutta. Long Live Sir Rabindranath Tagore!
    • The Calcutta University conferred a D.Litt on him. 
    • He renunciated his title of Knighthood (which was declined, but he stopped using it) when in 1919 a brutal massacre by the British (@ Jallianwala Baug in the Punjab) compelled him to write a letter to the Viceroy of India protesting the barbarous attack. \
  • He left Calcutta to go stand by Mahatma Gandhi in solidarity during his fast. "The government was forced to agree to the Mahatma's demand for a common electorate between caste Hindus and Harijans." Mahatma Gandhi broke his fast by sipping lime juice while Tagore sung his favorite songs from the Gitanjali. 
  • Rabindranath had attained world fame, and Shanti Niketan became a center of pilgrimage for Indians and for foreigners. $$$ poured in: royalties from the English editions of his books, the education given at Shanti Niketan was recognized and it was considered a great privilege to be able to study there. (During some difficult early years, his wife offered up her bangles and adornments to be sold to keep the school going.) Jawaharlal Nehru (1st Prime Minister of India) was one of the many that were impressed by Tagore's educational methods. 
    • Indira (Jawahar) was admitted as a student at the ashram. 
  • Tagore lived to be 80 years old. He is called the Father of Modern Bengali Lit. Perhaps his most enduring contribution is his collection of songs, which will be sung for ages to come. 
Personal Photo of page 20 from Amar Chitra Katha's
Rabindranath Tagore: India's Gentle Torch-Bearer
October 2016
I could write about his wife giving up her bangles and baubles to sustain the school/ashram of Shanti Niketan. I could also write about his love of nature, his journey to the Himalayas with his father, or his work of Gitanjali. 

I think it would be interesting for him to receive the gold piece of jewelry for my StoryBook when he gets married and eventually gives it to his wife. Though, later, she returns it to him, in the collection she says "It's not mine, it's yours anyways" to sell. Except, for some reason, there's this one piece that he's not quite able to sell. His later works and translations reveal the true nature of the reincarnating piece of gold, and his figures out the problem with it, which is why he is able to live so long -- until 80 years old!