Showing posts with label Week 6. Show all posts
Showing posts with label Week 6. Show all posts

Thursday, September 29, 2016

Story: He Only Knows The Scales

Photo of the Scales of Justice, London
copyright by Chris Downer


Yama walked around swinging his scales to and fro, whistling as he sauntered along. The moon was full, and most of the animals were sleeping in this second quarter of the night. He had recently decided that he would make a journey away from the hinterlands towards a city -- yes, some large city, he thought to himself. Perhaps he would even turn from a night owl to a day bird!

"I'm tiring of just the same old things sitting atop my scales, and reading the same, boring karmic results. It's all the same, and no one is ever happy of their number. Alas.... perhaps I can try my entrepreneurial luck and be of some use in the city. Surely there is some need there."

So, Yama journeyed on towards Delhi. It was the biggest city he could think of within a reasonable distance -- not so far as to take many years to wander there, but not so close as so his friends in the hinterlands to hear word back about what he was up to there. For, if he started a business, and perhaps it failed, he did not want news spreading back to them so quickly.

As Yama approached Delhi, he began to observe all the peoples running to and fro. He could find no good use for his scales, for they all appeared the same as those near to the hinterlands: some good, some bad, some in between as far as the weight of their karma was concerned. Sighing, he wandered further into the heart of Delhi, not realizing he was coming into quite a wealthy part of town. He sat down on a curb with a loud thud, and stared, head perched on his hand, wondering what use he could be of the people to this city besides weighing out their karma. As he sat, he began to notice a trend: All these people were fat! How on earth had they gotten that way?! Didn't they know that a hard day's work was what was best for them? What had happened to their bodies? Those bodies should still be lean from working the wheat fields and sowing the crops. As he looked around, he was reminded that he was no longer in the wilds of the back country, but instead in the heart of a city, where, he supposed, people have found new and innovative ways to while away their days. But, they've gotten fat while doing it. Aha!

I shall weigh their bodies, not their karma! Thought Yama excitedly. He wanted to test his theory, before setting out on a completely new business adventure, for taking a sample of the population would most likely yield useful results. He approached a fatter man with a furrowed brow, who seemed to be thoroughly engrossed in the shouting match he was pursuing with his rickshaw driver. "Um, sir, hi there," said Yama. Quite startled, the rotund man went slack jawed, stammered a bit, before his mouth began to quiver. "Ya.... Ya... Ya.. Yama? Who are you here to weigh? Me or the rickshaw driver? Surely it must be the rickshaw driver, for he has just now performed the most unrighteous deed by trying to charge me double the fare! See how he brings bad karma on himself, surely you want to weigh his karma!" The rickshaw driver just stared wide-eyed at Yama, hoping beyond all hope that Yama was here for the stingy rotund man, not for him. While everyone knew that Yama could appear before you at any moment and take note of your karma in your present life, no one actually wanted to partake of that in their lifetime. No, it was far better to wait until the end of one's life, so that the scales could be weighed, and straightaway you were sent into your next physical form, without the dread of thinking about what you had spent your whole last life doing.

"No, No, No, not your karma this time," replied Yama, boring immediately of the thought. "I've a new idea for my scales... step on. I promise not to reveal to your karmic number until you've passed on for your next life. ...... Yes, Yes, Yes, I'll tell you then, but not now, don't stammer so much and don't worry, just get on, would you?" He gently urged the rotund man to step on. "Oh, Snap, son! What have you done to yourself?! You weigh nearly a tonne!" Yama gasped.

"A Tonne?!" the rotund man replied. How can that be? No one human ever weighs a tonne. Now, I've never been weighed, but it's not said that that is a normal number! A few kilos, sure, but not a tonne! I'll have to go home at once, and scold my wife for cooking so much and making me eat her delicious food. Argh!" said the old man as he stepped off of the scales.

"Yes, Yes, of course it is your wife's fault," Yama said, rolling his eyes. But the wheels were already turning in his head. If no one truly knew of their bodily weight like this rotund man said, then surely people could come clamoring to him to find out! He would be the talk of the town, and everyone would want to get on his scales then! No more grudgingly plopping people onto the scales while they were scared stiff less in regards to the karmic score, no, now they'd be shoving people out of the way to get weighed! Perfect! Yama's entrepreneurial fire was roared inside of him as he envisioned the perfect little, well, let's be honest, huge, sparkling in gold, shop that he would set up. A whole new adventure was here to entertain him.

Author's Note:
Previously to reading R.K. Narayan's the Mahabharata, I can only ever remember encountering the god Yama as the terrifying, bloodthirsty, rips-bodies-in-half at the sight of them, god of death (typically of the Tibetan variety). In this version of the Mahabharata, Yama lures the 5 Pandavas to a lake, so that he might test them. He allows no one to drink from the lake until they have answered his questions, despite their great thirst. In the end, the last one alive is his son, Yudhistira. Yama tests him in his judgment and justice, and finally decides that he is worthy and has passed the test. He revives all of Yudhitira's dead brothers as reward.

I decided to take this new, enlightened, somewhat softer version of Yama and create a story around him. As I pondered the idea of the scales, and that they weigh justice, I thought about what else scales typically weigh: weight. Why not modernize Yama and have him think of a new job for his scales, since he's probably tired of weighing only Karma all the time! That's where the origination for my invented tale about Yama started from.
Yama, The God of Justice
Tibetan depiction of Yama, the God of Death.
Notice the necklaces of skulls he wears.                  

The Mahabharata Reading, Pages 133-179 Part D

R.K. Narayan's The Mahabharata
A shortened modern prose version of the Indian Epic

This week, I am continuing reading the Mahabharata, from R.K. Narayan's translation ("A shortened modern prose version of the Indian Epics). 

Krishna reveals the Bhagavad Gita to Arjuna on the battlefield, just before the battle begins. Arjuna does not want to slay his kin, but Krishna advises him that they have already set their karma, and Arjuna will only be the instrument to bring their karma forth. 
The God declared, "I am death, I am destruction. These men who stand before you are already slain through their own karma, you will be only an instrument of their destruction." (p148)

I'm not actually sure what my reaction is to this statement. I understand that the Mahabharata is one of the great Indian Epics, setting forth some of the principles of Hinduium for a lot of people. This quote certainly underlines the necessity and facts of karma, that it is already deicded by the person whom will be affected by it.... But, that completely cuts out negotiating power, people changing their minds..... It predestines it. Accepting the fact that predestiny is determined by the actor themselves, and no other forces imposing upon them is difficult to accept. 

Krishna displays his Vishvarupa(Universal Form)
to Arjuna on the battlefield,
revealing the Bhagavad Gita

The idea of the Vishvarupa is so cool! I enjoyed looking at all the artistic depictions trying to portray Krishna showing the vision of himself as God, as everything, the creator, the destroyer, it all. It certainly is mind boggling, but such a neat concept to try and wrap my brain around. 

"It is all known as the gift of the goddess Lakshmi, and he who spurns such a gift offends the Goddess. Remember, we can never see wealth acquired without some harm or injury to others." (p172)

"When the eldest brother is mad, all those who follow him are also compelled to become mad." -Draupadi (p173)

  • It's like the English phrase: When Mama Ain't Happy, Ain't Nobody Happy
Bhramastra: this was interesting. It's like a magical power that can be called during times of extreme need. Except in Karna's case, as he was cursed to forget it in the time of his most need... and so he died.

Wednesday, September 28, 2016

Wikipedia Trails: Char Dham, the 4 Holy Hindu Pilgrammage Sites to First Woman/First Man (In Hinduism)

Char Dham: The Four Abodes/Seats: the four Holy pilgrammage sites to Hindus. It is highly revered to visit these four places during one's lifetime.
  1. Bradrinath
  2. Dwarka
  3. Puri
  4. Rameswaram
The four Vaishnavite Pilgrammages. 
Dwarakhadeesh Temple, Dwarka
Chota Char Dham: in the Indian State of Uttarakhand (I used to live there!!) is the little Char Dham, consisting of:
  1. Yamunotri
  2. Gangotri
  3. Kedarnath
  4. Badrinath
I'm pretty sure I've actually been to all of these places, and it explains a whole whole lot about why I would see sooooooo many people coming to these random mountains and valleys to "Picnic" all the time. Explains a whole lot, actually. 

Temple at the Yamunotri River
Tradition is to start to visit the Chota Char Dham from Haridwar, Rishikesh, or Dehradun (Hey! I used to live in Dehradun!) And, you're supposed to go in the order that they are listed above. Let's explore Yamunotri, named after the goddess Yamuna.











Yamuna: The main tributary leading to the Ganges river, named after the goddess Yamuna. She is attrributed with her twin brother, Yama, the god of death. Bathing and drinking of her waters is regarded as removing of sins, and it is the second holiest river in India, first being the Ganges. Yamuna is also sometimes called Yami, being that she was the first woman. Yama and Yami are a pair of divine creator deities. Yama is the lord of Death, Yami is the lady of life. 

Clicking on "The first woman" took me to a list of Protoplasts. Protoplasts is a word from ancient Greek, being the  mythological progenator of  mankind in creation stories, or of surviving humanity after a cataclysm. So, Yami and Yama must be part of the creation story in Hinduism. Interesting. However, when I scrolled down to search under the title of "Hinduism" on the page, Yami/Yama were not there! Instead, listed was Svayambhuva Manu and Shatarupa. So, the first woman in Hinduism actually appears to be credited to Shatarupa. Huh. The First Man? Manu.
Manu and the 7 Sages being protected during the time of the Great Flood/Great Deluge

Monday, September 26, 2016

Mahabharata Reading Notes Pages 85-131, Part C

R.K. Narayan's
the Mahabharata

This week, I am continuing reading the Mahabharata, from R.K. Narayan's translation ("A shortened modern prose version of the Indian Epics). 

(The God of Death)

Page 91: List of Answers to Yama's test (Yudhistira's father! (Yama= The God of Justice)
A Note on Yama: I have only ever encountered him from the Tibetan Bhuddism perspective, which is Yama the God of Death. He destroys humans, their lives, and eats them -- visually, he's terrifying. Seeing him in this new light is a whole new vantage point for me. 
  • Pride, if renounced, makes on agreeable; anger, if renounced, brings no regret; desire, if renounced, will make one rich; avarice, if renounced, brings one happiness. True tranquility is of the heart.... Mercy may be defined as wishing happiness to all creatures.... Ignorance is not knowing one's duties.... Wickedness consists in sopeaking ill of others." 
  • "Who is really happy?" "One who has scanty means but is free from debt; he is truly a happy man."
  • "What is the greatest wonder?" "Day after day, and hour after hour, people die and corpses are carried along, yet the onlookers never realise that they are also to die one day, but think they will live for ever. This is the greatest wonder of the world."
  • "What is the Path?" "The Path is what the great ones have trod. When one looks for it, one will not find it by study of scriptures or arguments, which are contradictory and conflicting."

Monday, September 19, 2016

7 Secrets From Hindu Calendar Art, Chapter 3 - Ardhanari's (Shiva's) Secret (Part C) EXTRA READING

7 Secrets From Hindu Calendar Art
by Devdutt Pattanaik
Chapter 3 -- Ardhanari's Secret
Via Video Book on YouTube


I'm continuing working my way through Devdutt Pattanaik's book, 7 Secrets From Hindu Calendar Art, and it is so informative! I am digesting it through a new "book medium" for me: YouTube Video! It's called "Video Book" format, and it's free and accessible on YouTube. The chapters have been broken down into chunks, and while quite dense, they're only about 20 minutes in total length (each). I am thoroughly enjoying this method of learning!

For the Reading Guide in Indian Epics, Part C consists of Andhanari's Secret and Shiva's Secret (Part 1). For the sake of keeping Shiva's Secret together, in one blog post, I combined Shiva's Secret Parts 1 and 2 together here
Ardhanari's Secret

  • God is stillness within, Goddess is movement around.
  • God: 
    • Nirgun: Without Form
    • Sagun: With Form
  • God is best embodied in 3 Human Couples:
    • Brahma + Saraswati
    • Vishnu + Lakshmi
    • Shiva + Shakti
  • Male Trinity: Doing/Spiritual representation of god
    • Brahma: Creator
    • Vishnu: Sustainer
    • Shiva: Destroyer
  • Female Trinity: Passive, Material representation of god
    • Saraswati: Knowledge (Brahma's consort)
    • Lakshmi: Wealth (Vishnu's consort)
    • Shakti: Power (Shiva's consort)
  • "Women are meterial reality, men are spiritual reality." (But modern times have misconstrued this myth!) 

  • Male: Judged, observed, measures with scales
  • Female: Maha-Maya (Embodiment of Delusion) Measured by Men
Ardharnarishvara
1/2 male 1/2 female,
with both vahanas


Ardharnarishvara: God as 1/2 male, 1/2 female
  • Left Side: Male as the ascetic (Form of Shiva, the Ascetic God)
  • Right Side: Female dancer
Why?
  • Parvati saw Ganga on Shiva's head, she was enraged! So, to satisfy her, Shiva merged his body with hers. (Ha!)
"For Without Either, There is Neither." 

(Referencing that without either male or female, then there is in fact neither. Nothing can be created without the female.)

7 Secrets From Hindu Calendar Art, Chapter 3 - Ardhanari's (Shiva's) Secret (Part C) EXTRA READING

7 Secrets From Hindu Calendar Art
by Devdutt Pattanaik
Chapter 3 -- Ardhanari's Secret
Via Video Book on YouTube


I'm continuing working my way through Devdutt Pattanaik's book, 7 Secrets From Hindu Calendar Art, and it is so informative! I am digesting it through a new "book medium" for me: YouTube Video! It's called "Video Book" format, and it's free and accessible on YouTube. The chapters have been broken down into chunks, and while quite dense, they're only about 20 minutes in total length (each). I am thoroughly enjoying this method of learning!


Ardhanari's Secret

  • God is stillness within, Goddess is movement around.
  • God: 
    • Nirgun: Without Form
    • Sagun: With Form
  • God is best embodied in 3 Human Couples:
    • Brahma + Saraswati
    • Vishnu + Lakshmi
    • Shiva + Shakti
  • Male Trinity: Doing/Spiritual representation of god
    • Brahma: Creator
    • Vishnu: Sustainer
    • Shiva: Destroyer
  • Female Trinity: Passive, Material representation of god
    • Saraswati: Knowledge (Brahma's consort)
    • Lakshmi: Wealth (Vishnu's consort)
    • Shakti: Power (Shiva's consort)
  • "Women are meterial reality, men are spiritual reality." (But modern times have misconstrued this myth!) 

  • Male: Judged, observed, measures with scales
  • Female: Maha-Maya (Embodiment of Delusion) Measured by Men
Ardharnarishvara
1/2 male 1/2 female,
with both vahanas


Ardharnarishvara: God as 1/2 male, 1/2 female
  • Left Side: Male as the ascetic (Form of Shiva, the Ascetic God)
  • Right Side: Female dancer
Why?
  • Parvati saw Ganga on Shiva's head, she was enraged! So, to satisfy her, Shiva merged his body with hers. (Ha!)
"For Without Either, There is Neither." 

(Referencing that without either male or female, then there is in fact neither. Nothing can be created without the female.)