Thursday, September 22, 2016

Story: Beware of Seeds!

I ate a seed!
Tshirt by Andrea Robison
of DJammarMaternity on Etsy.
~~
And as the young girl was playing near the Yamuna river, her grandmother was heard to be scolding her, 'Be sure to keep your mouth closed, child! You never know what will jump inside and get to your tummy and start growing!"


The little girl groaned, rolled her eyes at the old woman, and continued dragging her stick on the bank of the river while she lifted her skirts with her other hand and carefully moved each ankle through the mud and waters. 

Just up ahead was her father, Vyasa, son of her Grandmother, Satyavati. He was perched on a rock a quarter distance between the bank of the river and the center of the river, legs crossed, with his body angled just so, as to conceal the tip of the rock altogether, giving the illusion of hovering above the moving river. The girl grinned, knowing that her father was fond of illusions and creating mystical moments out of nothing. To any passerby, surely it would look like he was levitating, but she knew this trick of her father's and grinned at the secret shared between them. 

As she approached her father, he squinted one eye closed tighter so that the other eye might pop open to see her. "Tell me, what does your Grandmother warn you from this time?" he asked his beloved daughter.

"Oh," sighed the girl, "Nothing out of the ordinary, except that today she keeps telling me the River will make something grow in my belly. Is this true, father? I know only girls grow things in their bellies, but did the river ever make you grow anything in your belly?"

"No," laughed Vyasa, "Not in my belly, no, but take heed of your Grandmother's advice, for she knows what she is talking about." The little girl lifted an eyebrow at her father, inviting him to entertain her for a few moments with one of his stories. He was always telling her stories, and she could lose entire afternoons completely immersed in the adventures of his characters.

Just as he was about to begin, a large, blue rainbow fish swam past the ankles of the girl, catching her and her father's eye with its metallic and shiny scales. 

"See," said Vyasa, "There are many beautiful things in this river that would love to lead a charming little daughter of mine away from me," he began. "But how can a fish take me away?" Asked the little girl, satisfying her father by asking the leading question he was looking for.

"Because the fish's blood is in your blood, sweet girl! It is your ancestry! Has your Grandmother never told you that she was born out of the belly of a fish? It is true, and a twin was found in the belly of her mother with her!" The little girl squinted at her father, not sure if this was a true story, or another one that he was making up. 

"Now, how does a pair of twins, a boy and a girl, no less, get inside the belly of a fish?" he asked. This time, the little girl remained silent, waiting for the answer. "According to your Grandmother, a seed was spilled over the River, and the girl fish was playing in the water one bright afternoon, when just as she was splashing about, laughing happily, in plopped a seed, which went straight to her tummy and began to grow!" exclaimed Vyasa.

 "Remember how your Grandmother is always warning you to never eat the seed of a watermelon, for fear that you'll grow a watermelon in your belly? That is exactly what happened to her mother! And out popped your grandmother, Satyavati, and her brother. Well, the seed of a different sort, but the point remains the same," he admitted. 

"Now, my little daughter, do you want to carry around a big, giant belly the size of a watermelon? Or, as big as two happy babies? You know how the bellies of the wives swell just before they add a child to their family."

The little girl squinted at her father. It was true, she had seen only a few women with swollen bellies just before they acquired a son or a daughter for their family. She'd never seen how big a belly got when it carried two babies, though, and that thought scared her. And a watermelon! How big they are! How would one ever fit inside of her belly? And how would it get out?! No, she thought, she didn't want to carry around a big belly, and then have a watermelon come out, although it would be tasty. She certainly didn't want two babies coming out, for although sometimes they were cute and fun to play with, mostly they just cried and slept a lot. All the babies she'd ever gotten to play with wouldn't leave their mothers, and she didn't want to have to worry about what to do with babies when she was trying to go out playing in the River. 

She clamped her jaw shut while she contemplated if her father was telling the truth, this time, or not. 

He cocked his head and simply watched her. 

She gave a quick, small, nervous grin, to convince her father that she knew he was just spinning stories again. But as she walked on in the Yamuna River's waters, from that day forward, she made sure to keep her mouth tightly clamped shut. 

~~

Author's Note:  I took a small character from the Mahabharata, Satyavati, and retold her birth story. She was in fact born from the belly of a fish when a king dropped his semen into the river below (there are differing accounts as to whether he was flying above or he sent an eagle with his semen meant for his wife who was flying above the river and dropped it). It fell into the mouth of a fish, and she bore twins, a boy and a girl, the girl being Satyavati. I wanted to use it in combination with our own western stories of warning to children, that one should not swallow seeds, for fear that they will grow that fruit in their belly. Vyasa, mentioned in my story, is in fact the son of Satyavati, and he is the iconic storyteller of the Mahabharata, so has a very important, real-life role as an epic storyteller that I also wanted to include as factual in my version as well. 
  • I took inspiration for this story from Page 6 of R.K. Narayan's Mahabharata (2013 edition), and filled in the missing details using Satyavati's Wikipedia Page.
Below is a little more backstory on Satyavati, which sets up the characters for the Mahabharata.
Santanu woos Satyavati by the River
painting by Raja Ravi Varma

 Satyavati was the second wife of King Santanu, who together had two sons, Chitrangada and Vichitravirya. Chitrangada dies, and Vichitravirya is to be King, but he is too young to take the throne just yet. King Santanu's son from his first wife, Bhishma, acts as Regent to his little brother, Vichitravirya, and he finds three wives for his brother. Vichitravirya dies, leaving no heirs to the throne, and Satyavati begs Bhishma to continue the lineage by having children with his brother's wives. Bhishma has vowed to a life of celibacy, and so cannot, so Satyavati proposes another option: that her unknown-until-now first born son, of questionable origins, Vyasa, take the act upon himself to continue the lineage. He does, begetting sons, of whose sons will then war against each other, setting up the character premise of disputing cousins in the Mahabharata. 



Tuesday, September 20, 2016

The Mahabharata Reading Notes, Part B

R.K. Narayan's
  
The Mahabharata

I am working through R.K. Narayan's Mahabharata, A Shortened Modern Prose Version of The Indian Epic, and finished reading Part B, Pages 41-83 this evening.


A warning to the 5 Brothers that sharing one wife could be troublesome. They are warned with the story of Sunda & Upasunda, brothers who shared everything, until their destruction by sharing one woman, Tilottama.

Arjuna becomes exiled after transgressing against his brothers and his wife, by intruding on his wife and brother during a year that was not Arjuna's year to be with his wife. He is exiled for 12 years, and during that time, he also marries Ulupi, a princess of the Serpent World, and Subadhra: sister of Krishna.
Arjuna and Subhadra,
by Raja Ravi Varma

Page 82 - Urvashi's Curse -- While Arjuna is in the celestial realm of his father, Indra, learning song and dance and acquiring many new weapons,  an apsara named Urvashi noticed Arjuna and comes to like him. With the permission of Indra, she goes to Arjuna at midnight, dressed in a see-through silk-sari and knocks on his door, practically offering herself to him. He refuses, as he is under a vow, and cannot partake of women until his duty is over - she curses him to become a eunuch, and to be unnoticed by women everywhere that he goes. Later, she reduces this curse to only one year of his choosing, which he chooses to use during his thirteenth year of hiding, which works to his advantage.

  • I'd like to write a story spinning off of this, perhaps.
Page 64/65 - Draupadi's Sari Miracle -- she has been gambled off by her husband and is led in front of her captors wearing only a single cloth, during her menstrual cycle. In shame, she has been touched by a man, and they are leering at her, and begin to attempt to undress her. Her FIVE WARRIOR HUSBANDS do nothing, and she is left humiliated. She prays to Krishna to save her, and he alone comes to her aid, replacing each piece of cloth that is unraveled from her body with another piece of cloth, leaving her original sari in place to cover her appropriately. 

Arjuna: Invincible, honored by gift of Gandiva, the inexhaustible quiver
  • Gandiva is a gift from Agni, the fire god, when Arjuna set the Khandava Forest on fire with his astra. Agni needed to consume animal fat for his own well-being. 
Statue of Arjuna in Bali

Monday, September 19, 2016

7 Secrets From Hindu Calendar Art, Chapter 3 - Ardhanari's (Shiva's) Secret (Part C) EXTRA READING

7 Secrets From Hindu Calendar Art
by Devdutt Pattanaik
Chapter 3 -- Ardhanari's Secret
Via Video Book on YouTube


I'm continuing working my way through Devdutt Pattanaik's book, 7 Secrets From Hindu Calendar Art, and it is so informative! I am digesting it through a new "book medium" for me: YouTube Video! It's called "Video Book" format, and it's free and accessible on YouTube. The chapters have been broken down into chunks, and while quite dense, they're only about 20 minutes in total length (each). I am thoroughly enjoying this method of learning!

For the Reading Guide in Indian Epics, Part C consists of Andhanari's Secret and Shiva's Secret (Part 1). For the sake of keeping Shiva's Secret together, in one blog post, I combined Shiva's Secret Parts 1 and 2 together here. 
Ardhanari's Secret

  • God is stillness within, Goddess is movement around.
  • God: 
    • Nirgun: Without Form
    • Sagun: With Form
  • God is best embodied in 3 Human Couples:
    • Brahma + Saraswati
    • Vishnu + Lakshmi
    • Shiva + Shakti
  • Male Trinity: Doing/Spiritual representation of god
    • Brahma: Creator
    • Vishnu: Sustainer
    • Shiva: Destroyer
  • Female Trinity: Passive, Material representation of god
    • Saraswati: Knowledge (Brahma's consort)
    • Lakshmi: Wealth (Vishnu's consort)
    • Shakti: Power (Shiva's consort)
  • "Women are meterial reality, men are spiritual reality." (But modern times have misconstrued this myth!) 

  • Male: Judged, observed, measures with scales
  • Female: Maha-Maya (Embodiment of Delusion) Measured by Men
Ardharnarishvara
1/2 male 1/2 female,
with both vahanas


Ardharnarishvara: God as 1/2 male, 1/2 female
  • Left Side: Male as the ascetic (Form of Shiva, the Ascetic God)
  • Right Side: Female dancer
Why?
  • Parvati saw Ganga on Shiva's head, she was enraged! So, to satisfy her, Shiva merged his body with hers. (Ha!)
"For Without Either, There is Neither." 

(Referencing that without either male or female, then there is in fact neither. Nothing can be created without the female.)

7 Secrets From Hindu Calendar Art, Chapter 3 - Ardhanari's (Shiva's) Secret (Part C) EXTRA READING

7 Secrets From Hindu Calendar Art
by Devdutt Pattanaik
Chapter 3 -- Ardhanari's Secret
Via Video Book on YouTube


I'm continuing working my way through Devdutt Pattanaik's book, 7 Secrets From Hindu Calendar Art, and it is so informative! I am digesting it through a new "book medium" for me: YouTube Video! It's called "Video Book" format, and it's free and accessible on YouTube. The chapters have been broken down into chunks, and while quite dense, they're only about 20 minutes in total length (each). I am thoroughly enjoying this method of learning!


Ardhanari's Secret

  • God is stillness within, Goddess is movement around.
  • God: 
    • Nirgun: Without Form
    • Sagun: With Form
  • God is best embodied in 3 Human Couples:
    • Brahma + Saraswati
    • Vishnu + Lakshmi
    • Shiva + Shakti
  • Male Trinity: Doing/Spiritual representation of god
    • Brahma: Creator
    • Vishnu: Sustainer
    • Shiva: Destroyer
  • Female Trinity: Passive, Material representation of god
    • Saraswati: Knowledge (Brahma's consort)
    • Lakshmi: Wealth (Vishnu's consort)
    • Shakti: Power (Shiva's consort)
  • "Women are meterial reality, men are spiritual reality." (But modern times have misconstrued this myth!) 

  • Male: Judged, observed, measures with scales
  • Female: Maha-Maya (Embodiment of Delusion) Measured by Men
Ardharnarishvara
1/2 male 1/2 female,
with both vahanas


Ardharnarishvara: God as 1/2 male, 1/2 female
  • Left Side: Male as the ascetic (Form of Shiva, the Ascetic God)
  • Right Side: Female dancer
Why?
  • Parvati saw Ganga on Shiva's head, she was enraged! So, to satisfy her, Shiva merged his body with hers. (Ha!)
"For Without Either, There is Neither." 

(Referencing that without either male or female, then there is in fact neither. Nothing can be created without the female.)

Mahabharata: Reading Notes Part A (Pages 1-39)

Vyasa quote from the Mahabharata by R.K. Narayan,
meme generated here


The Mahabharata:
 A Shortened Modern Prose of the Indian Epic
by R.K. Narayan1978
Book cover image from Indian Epics Reading Guides
The Mahabharata was dictated by Vyasa, although there is some speculation as to the authorship. Originally, it is said to have been titled Jaya, meaning Triumph or Victory.

It took place in Hastinapura, which today is considered to be held within the modern Indian state of Uttar Pradesh.
Modern Day state of Uttar Pradesh (highlighted in red) 
in India, bordering Nepal.

5 Divine Brothers VS 100 Cousins 
Draupadi and Her Five Husbands
by Raja Ravi Varma


Page 5 - Amba: One of the sisters set to be wed to Vichitraviraya, Bhishma's younger brother.
Amba would not be wed to him, as she desired to be wed to the King of Salwa. She was sent to the King's house, and he refused her and sent her back to wed Vichitravirya, but she came back and offered to marry Bhishma, which he refused, due to his vow of celibacy. He sent her back to Salwa, who rejected her, and she was passed back and forth and back and forth. She later transforms into a male warrior and kills Bhishma. 

Page 6 -- Satyavathi's origin story: she is the daughter of the womb of a fish when her father, a gandharva, spilled his seed over a river as he was flying across it. The fish was looking up at the time, and it entered her, and she conceived. It's like what we tell little kids all the time: Don't swallow watermelon seeds, or you'll grow one in your belly! I could write a tale spinning these two ideas together. The odor of fish clung to Satyavathi due to her origin. 
Shantanu woos Satyavati
by Raja Ravi Varma

Sunday, September 18, 2016

Feedback Focus

"A New Secret Weapon - Planet Oven" by DocChewbacca
Everyone uses a timer to cook, right? I use a timer all the time, especially when I'm cooking... When I'm baking... definitely when I'm exercising.... When I'm bathing my son... When I'm winding him down for bedtime..... So, WHY WOULDN'T I USE A TIMER FOR SCHOOLWORK?! I have no idea. I've occasionally used a timer to force myself to read for chunks of an hour at a time, whenever I am struggling to get through some material, but I have never really used a timer when I've been writing things. However, soon we will be reading closely and giving feedback to our peers, so a timer seems like the perfect solution! My introduction to the Google "Set A Timer" is a game-changer for computer-related work!

Feedback Focus Techniques


1.) Reading Out Loud
        
       I read The Wax Crocodile out loud as a reading technique. I found that I was able to focus on some details better, but lost other details altogether. For instance, I assumed that the Pharaoh had created the Wax Crocodile, when in fact the scribe had done so. I found that my mind wandered as I was reading so slowly, and therefore I had to go back and check this fact to clarify. 

       Overall Take-Away: Somewhat helpful, somewhat distracting.

        *Note: "The Wax Crocodile" and an Egyptian tale taken as an excerpt from Egyptian Myth and Legend by Donald Mackenzie. 

2.) Copy-And-Delete

      For this method, I read and re-wrote notes after each paragraph, deleting the paragraph I had just read after I had written a note about it. I chose "Chonguita" from Filipino Popular Tales by Dean S. Fansler. 

     I've added the notes that I took on the story. I found it to be incredibly effective in doing a close reading of the material, and a good exercise in general, however, I struggled with parsing the story down to just the essential details, as you can see below.

       Overall Take-Away: This method was more time consuming, but more effective.
      

Chonguita

Narrated by Pilar Ejercito, a Tagalog from Pagsanjan, Laguna. She heard the story from her aunt, who had heard it when she was still a little girl.


-Brothers Pedro, Diego & Juan must set out to find their fortunes in different directions, they agree to meet back up at a certain place in the forest


-Don Juan met an old man who gave him bread and told him to go to the palace, but he must divide the bread among the guard monkeys.


-The Big Monkey offered to marry his daughter, Chonguita, to Don Juan, because he knows Don Juan's purpose in coming to the palace. Married immediately.

-Don Juan needed to go meet his brothers, but was ashamed to take his monkey wife. His mother-in-law insisted that he take her.

-The brothers meet, and Don Pedro and Don Diego both have beautiful wives. Don Juan is ashamed to show his wife, and his brothers exclaim at the sight of her "Have you lost your head?!" "Let's go home to our father, he must be waiting!" says Don Juan. The brothers and their wives begin the journey. Chonguita walked by Don Juan.

-When the 3 brothers returned to their father's palace, the king fainted when he heard about a monkey wife for his youngest son. He determined to bear it, and gave each couple a house. However, he was disgraced, and asked each wife to embroider a coat within 3 days and the one who fails to do this will DIE.
-Chonguita's coat was the prettiest of all the coats, thwarting the father's death to kill her.

-All 3 wives must embroider a cap in 2 days, or they DIE. 
-All 3 wives must draw a picture on the chamber walls of their father-in-law,and the prettiest picture, her husband will be crowned successor king. 

-Chonguita's picture was prettiest = Don Juan crowned king.

-A Celebratory feast was held, and Chonguita wanted to dance with Don Juan. He was angry that she insisted to dance, and he hurled her against a wall. The hall became dark, but when it became light, Chonguita had been turned into a beautiful woman.



3.) Use A Timer

      I opened up a Google Timer (First Time using it!) and set it for 10 minutes. I then proceeded to read "Midterm Madness", a Portfolio Blog post by Savannah Jung.

     I found this quite difficult to stay focused for the entire length of time allotted, as I was already familiar with the original story that was being retold. I did enjoy the story-telling technique of modernizing the tale and setting it on OU's campus -- I might have to try that one out for myself sometime soon. With the additional time left over, I zoomed back in on the final paragraph where Sita abandons Rama, switches classes and finds a new study group, leaving Rama all alone to finish out the semester... alone with his distrust of everyone. On the first read-through, I found this paragraph to be a quick, easy way to finish out the story, but on the second-read through I actually found it to be quite in line with the original story of Sita leaving Rama alone in his kingdom, and so had a better appreciation for how true to the story the author stayed. 

       Overall Take-Away: I will use this technique again! 


      

Thursday, September 15, 2016

Newly Created - Tech Tip: Google Website!

"The Kuran also looks good to me, my knowledge of the Gita Law,
Rain on Me A Lot, Maherbaniya,
For Allah (God) is Mine and Bhagvan (God), too, is mine."

Kabir quote translated into Hindi
from Anmol Vachan, via Manohar Vare
I created a website, and it was quite easy! This excites me greatly, as I am notorious for being technically challenged, so this Tech Tip is quick!

  1. Log Into Google
  2. Go to Google Sites
  3. Name your website, pick a template, and Hit the Big Red Button that says "CREATE"
  4. DONE!
This week I created a website about Visionary Poets from the Non-Western World. I am very interested in Rumi, Sufi, Kabir, Rabindranath Tagore and Surdas, so this is my Storybook Website dedicated to them. I shall be working on it all Fall! 

Visit my new website here ----> Kabir.Tagore.Surdas